Browse Items (166 total)

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This selection of books shows the variety of colors used to stain edges. Books found in the Cary Collection have fore-edges colored in yellow, green, and shades of blue, and even an orangey-pink.

https://s3.amazonaws.com/omeka-net/36807/archive/files/0da8d8e6020f8dd2ee9e2d5aa4977eaa.jpg
This selection of books shows the variety of colors used to stain edges. Books found in the Cary Collection have fore-edges colored in yellow, green, and shades of blue, and even an orangey-pink.

https://s3.amazonaws.com/omeka-net/36807/archive/files/e3692038af8682631b6a6c9ec1a68dcf.jpg
This selection of books shows the variety of colors used to stain edges. Books found in the Cary Collection have fore-edges colored in yellow, green, and shades of blue, and even an orangey-pink.

https://s3.amazonaws.com/omeka-net/36807/archive/files/45958ae5d3b6d54b1425e08c0ba1a9fc.jpg
Marbled edges adorn the Cary Collection's copy of the enlarged edition of Giambattista Bodoni's Manuale tipografico (1818). Published after his death this type specimen remains a testament to one of history's most influential type designers.

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An early owner of these 17th century editions of Ovid's works had them bound in vellum with overhanging edges that protect the fore-edges.

https://s3.amazonaws.com/omeka-net/36807/archive/files/d5a5673c94ca0145f0a889d79d7d27f5.jpg
An early owner of these 17th century editions of Ovid's works had them bound in vellum with overhanging edges that protect the fore-edges.

https://s3.amazonaws.com/omeka-net/36807/archive/files/45d0277fd3e017ef77e645479d6357d0.jpg
An early owner of these 17th century editions of Ovid's works had them bound in vellum with overhanging edges that protect the fore-edges.

https://s3.amazonaws.com/omeka-net/36807/archive/files/291de92f826410c190196b91b36bf477.jpg
An early owner of these 17th century editions of Ovid's works had them bound in vellum with overhanging edges that protect the fore-edges.

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The use of clasps on books dates back to the earliest codices. Affixed to the fore-edges, clasps stabilize a book, preventing the vellum or paper leaves from fanning out and the boards from warping.

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This fore-edge painting appears to be contemporaneous with the book's mid-eighteenth century decorative binding featuring a wheel motif with the crucifixion at the center. Some of the fore-edge painting has been rubbed away over the years.
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